Big Little Books
Thick as a brick, small as a hand, and ten cents at the five-and-dime.
About this shelf
Big Little Books were introduced by the Whitman Publishing Company of Racine, Wisconsin, in 1932. Each one is a squat little block of a book, about four inches tall and nearly two inches thick, with text on the left-hand page and a picture on the right. Most retold the comic strips, radio serials and movie cowboys of the day, and they sold by the million in five-and-dime stores. This shelf holds page scans of the originals, from the 1930s heyday through the 1960s revival.
Big Little Books were a hugely popular format of thick, pocket-sized children's books that combined text with illustrations, dominating the youth reading market from the early 1930s through the mid-1950s. Published primarily by the Whitman Publishing Company of Racine, Wisconsin, these square books typically measured about 4.5 by 5 inches and were roughly an inch and a half thick, packed with hundreds of pages of action-packed storytelling.
The format officially launched in 1932 with the release of The Adventures of Dick Tracy, capitalizing on the explosive popularity of newspaper comic strips. The concept was brilliant in its simplicity: on the right-hand page, readers found a full-page black-and-white illustration, while the left-hand page contained text continuing the narrative. This layout made them deeply engaging for young readers, effectively bridging the gap between illustrated comics and traditional chapter books.
During the Great Depression, Big Little Books became a massive cultural phenomenon. Selling for just ten cents, they offered incredible value for families with limited budgets, providing hours of cheap entertainment. Children across America eagerly collected titles featuring established pop culture icons, heroes, and movie stars. Alongside comic strip detectives and adventure characters like Dick Tracy, Flash Gordon, and Tarzan, the series also adapted popular Hollywood films, animated Disney shorts, radio serials, and cowboy stars like Tom Mix and Gene Autry.
As the 1940s progressed, Whitman rebranded many of the titles simply as "Better Little Books," and publishers introduced variations like "Softcover Big Little Books" and digest-sized formats. However, the golden age of the format began to wane following World War II. The rise of modern comic books, changing children's entertainment tastes, and the eventual arrival of television cut heavily into their market share. By the late 1950s, the traditional thick block format had disappeared from newsstands, though vintage Big Little Books remain highly sought-after collector items today for their nostalgia and distinct Depression-era pop culture snapshot.
Picture on the right
Every spread pairs a page of text with a full-page illustration, often redrawn from the newspaper strip the story came from.
Heroes of every kind
G-Men and detectives, aviators like Tailspin Tommy and Smilin' Jack, cowboys, spacemen and jungle adventurers all turn up on the same shelf.
Of its time
Books are reproduced as first published and include language, images and attitudes of their period that readers today will find offensive.